Devlin Hall 423
Telephone: 339-927-8643
Email: rnewman@mfa.org
The Materials of Art and Their Conservation
Technical studies of works of art
分析仪器的应用,以提供文化文物所用材料的信息
理查德·纽曼教授一直是美术博物馆的科学太阳城官网主管, Boston, since 1998, and has also been a Research Scientist there since 1986.
他的其他职位包括文物和雕塑保护科学家/助理保护员, Harvard University Art Museums, 1983-1986; Conservation Scientist, Harvard University Art Museums, 1980-1983; and lecturer in the annual team-taught course, “考古科学”由麻省理工学院考古学和民族学材料太阳城官网中心(cmae)提供.
Besides teaching at Boston College, 他是韦尔斯利学院艺术史的客座讲师, 他从2006年开始教授绘画和雕塑的材料和技术. His other teaching experience includes course coordinator and lecturer in the annual course ‘Materials and Techniques of Works of Art’ at the Museum of Fine Arts for seniors and graduate students from five local universities; guest lecturer in the ELMO (Embedded Learning Module) Project, providing lab-based science courses to humanities students at Northeastern University; and co-instructor of ‘Care and Preservation of Works of Art,’ offered as part of the Museum Studies Certificate Program, Harvard University Extension School.
纽曼教授是红外和拉曼用户组(IRUG), 一个交换红外和拉曼光谱信息的国际论坛, reference spectra and materials. IRUG主要由艺术保护和历史保护领域的个人组成,他们使用红外和拉曼光谱来太阳城官网世界文化遗产.
Award for Distinction in Scholarship and Conservation, 1991年获得大学艺术协会和国家自然保护太阳城官网所联合奖(获奖作品) Examining Velazquez, Yale University Press, 1988, authors Gridley McKim-Smith, Greta Anderson-Bergdoll and Richard Newman).
日本文化遗产专家访问计划, 1991 two- month fellowship for research, primarily spent at the Nara Cultural Research Institute.
印度-美洲太阳城官网小组委员会,1984-5个月印度太阳城官网奖学金.
西班牙-北美促进合作、培养和教育委员会, 1984-1986年普拉多博物馆委拉斯开兹绘画太阳城官网补助金(授予Gridley-McKim Smith), Richard Newman and Carmen Garrido).
Principal Investigator for National Science Foundation, Division of Chemistry, grant CHE-1125821, awarded 2011. 项目名称:“毛细管高效液相色谱仪/质谱仪(LC/MS)质谱仪的采购”.
R. Newman, G. 盖茨,《太阳城官网》,第3章,M. Svoboda and C. Cartwright (eds.), 罗马埃及木乃伊肖像:来自APPEAR项目的新兴太阳城官网 (Getty Publications, 2020), e-publication (in press).
N. Gutman Rieppi, B. Price, K. Sutherland, A. Lins, R. Newman, P. Wang, T. Wang, T. Tague Jr., “Salvador Mundi: 对这幅画的材料和技术的调查。” Heritage Science 8, 39 (2020), http://doi.org/10.1186/s40494-020-00382-3.
A. Hykin, R. Newman, T. Michie,“波士顿美术博物馆对' Palissy '陶瓷的重新评估” Techne 47 (2019): 126-139.
M. Derrick, J. Wright, R. Newman,“日本木版版画中的植物染料鉴定”, Arnoldia 74:3 (2017): 12-28.
M. Derrick, R. Newman, J. Wright, 日本木版版画上黄色和红色天然有机着色剂的EEM荧光光谱表征,” Journal of the American Institute for Conservation 56 (2017): 171-193.
R. Newman, E. Kaplan, M. Derrick, “莫帕莫帕:一种不寻常的南美树脂的科学分析和历史,由印卡人和帕斯托的工匠使用。, Colombia,” Journal of the American Institute for Conservation 54 (2015): 123-148.
R. Newman, “Technology,” in M. Hartwig (ed.), A Companion to Ancient Egyptian Art (Wiley Blackwell: Oxord, 2015), pp. 504-521.
Gänsicke, R. Newman, “Materials and techniques in Nubian Jewelry,” in Y. Markowitz and D. Doxey, Jewels of Ancient Nubia (Museum of Fine Arts: Boston, MA, 2014), PP. 143-152.
L. Soltzberg, S. Flynn, V. Kirch, R. Newman,“合成有机染料的三维荧光表征- pH的影响”, American Journal of Analytical Chemistry 4 (2013): 531-576.
L. Soltzberg, S. Lor, N. Okey-Igwe, R. Newman,“合成有机染料的三维荧光表征”, American Journal of Analytical Chemistry 3 (2012): 622-631.
R. Newman, introductory essays and editor. Conservation Highlights (Museum of Fine Arts: Boston, MA, 2011).
B. Barr-Sharrar, R. 纽曼,“在波士顿美术博物馆展出的带有浮雕的古典希腊青铜锡图拉”, Materials and Manufacturing Processes 24 (2009): 972-974.
R. Newman, 铁与铁:古希腊釉中铁的科学太阳城官网述评,” in Kenneth Lapatin, ed., Papers on Special Techniques in Athenian
Vases, 与展览“粘土的颜色:雅典花瓶的特殊技术”相关的研讨会记录 (J. Paul Getty Museum: Los Angeles, 2008), pp. 105-112.
L. Soltzberg, A. Hagar, S. Kridaratikorn, A. Mattson, R. Newman,“MALDI-TOF质谱法鉴定染料和色素”, Journal of the American Society for Mass Spectrometry 18 (2007).
R. Newman, M. 德里克,“九物画颜料的科学检验”,E. Landau and C. Cernuschi (eds.), Pollock Matters (麦克马伦艺术博物馆,太阳城网赌平台,波士顿,马萨诸塞州,2007年),页. 105-130.
A. Hykin, R. Newman, J. 康明斯,“铸造同情:一件来自西藏的大型青铜的技术太阳城官网”,J. Douglas, P. Jett and J. Winter (eds.), Scientific Research on the Sculptural Arts of Asia (Archetype Publications, London, in association with the Freer Gallery of Art, Smithsonian Institution, 2007), pp. 90-102.
R. Newman,“对一些水螅虫的岩心和投资样本的分析”,P. Barnet and P. Dandridge (eds.), Lions, Dragons, & 其他野兽:中世纪的水兽,教堂和餐桌上的器皿 巴德装饰艺术太阳城官网生太阳城官网中心, Design, and Culture, New York, and The Metropolitan Museum of Art, 2006), pp. 57-64.
J. Elgar, A. N. Morse, R. Newman, “A Technical Study of the Hokkedo konpon mandara,”in P. Jett, J. Winter and B. McCarthy (eds.), Scientific Research on the Pictorial Arts of Asia (Archetype Publications, London, in association with the Freer Gallery of Art, Smithsonian Institution, 2005), pp. 1-9.
L. Ellis and R. Newman,“古库什(苏丹)首都克尔马釉面石英岩雕塑的分析”, 材料问题在艺术和考古(MRS研讨会论文集卷. 852, 2005), pp. 209-215.
R. Newman,“石雕科学太阳城官网现状综述”, 萨克勒艺术作品科学检验研讨会:保存与分析的现代技术 (美国国家科学院出版社(NAP),华盛顿特区,2005年),页. 58-71.
E. Fulton, R. Newman, J. Woodward, J. Wright,《太阳城官网》 Journal of the American Institute for Conservation 41 (2002), pp. 155- 184.
R. Newman, M. Derrick, 秘鲁印卡和殖民时期的彩绘基罗杯:颜料和介质的分析太阳城官网,” 材料问题在艺术和考古学(MRS研讨会论文集,波士顿,马萨诸塞州,2001年12月).
R. Newman, “Analysis of Paint Binders,” one of three essays in 牛奶和鸡蛋:美国蛋彩画的复兴,1930-1950 (Brandywine River Museum, Chadds Ford, PA, in association with Washington University Press, Seattle and London, 2002).
R. 纽曼,“附录:对(波士顿美术博物馆)象牙蛇女神的分析报告”,K. Lapatin, 蛇女神的奥秘:艺术、欲望与历史的伪造 (Houghton Mifflin Co., Boston, MA, 2002).
S. Gänsicke, R. Newman, “Ancient Nubian Gilding,” in Gilded Metals: History, Technology and Conservation, ed. T. Drayman-Weisser (Archetype Press, London, 2000).