德夫林422号厅
电话:617-552-6459
电子邮件: 斯蒂芬妮.leone@misawa-city.com
ORCID 0000-0003-0504-7919
意大利文艺复兴早期艺术
意大利文艺复兴鼎盛时期艺术
意大利巴洛克艺术
文艺复兴时期的女性
罗马重生
威尼斯艺术与建筑
Italian Renaissance and Baroque Art and Architecture
近代早期罗马
赞助
物质文化
藏品的历史
Professor 里昂’s research focuses on the city of 罗马 in the early modern period (1400-1800), which provides endless opportunities to study the intersection of art and society. 她对艺术是如何产生的很感兴趣, 它的目的是什么?, and what it meant in its original context and over time. 她的太阳城官网考虑了赞助的主题, 教皇法庭, 国内建筑, 建筑实践, 工匠的作品, 艺术收集, 物质文化.
她的专著, The Palazzo Pamphilj in Piazza Navona: Constructing Identity in 近代早期罗马 (2008), launched her interests in the world of 教皇法庭, 教皇英诺森十世的赞助, 潘菲利家族, and their contributions to shaping the city of 罗马. The book explores the social rise of the Pamphilj, 宫殿的建筑历史, the relationship between architecture and self-representation, and the role of Gian Lorenzo Bernini’s famous Four Rivers Fountain in this story.
Her next project brought together an interdisciplinary group of local, 国家, and inter国家 scholars to examine the wide-ranging influence of Innocent X and his relatives, 尤其是红衣主教贝内代托·潘菲尔, 在视觉上, 音乐的, 以及罗马的文学艺术, 从1644年到1730年. This wonderful collaborative endeavor resulted in an inter国家 conference at 太阳城网赌平台, 还有编辑过的卷, The Pamphilj and the Arts: 赞助 and Consumption in Baroque 罗马 (2011).
目前, Professor 里昂 is writing a book—titled Building for the Holy Year: Innocent X Pamphilj and Architecture in 罗马—about Innocent X’s projects to renovate 罗马 for the Holy Year of 1650 and how he managed to accomplish so much building in just five years. 同时还要翻查档案, she is using the digital technology of network analysis to analyze the relationships among advisors, 架构师, 以及建筑实践中的工匠.
除了, Professor 里昂 has published many articles and book chapters on related and separate topics, from the Chapel of Francis Xavier in the Gesù church in 罗马, to an eighteenth-century Italian painting masquerading as a Raphael in nineteenth-century Boston. She is grateful for the research support of many institutions, 包括太阳城网赌平台, 罗马的美国科学院, 塞缪尔·H. 克雷斯的基础, 国家美术馆的CASVA, and Harvard University’s 塔蒂别墅 outside 弗洛伦斯.
Professor 里昂 enjoys teaching a repertoire of courses on Italian Renaissance and Baroque art at 太阳城网赌平台. Her classes are informed by her experiences of on-site study in Italy. Special topics include a new course called 罗马重生 (planned for 2025-26), 《太阳城网赌平台》的新成员, 也是我长久以来的最爱, 威尼斯艺术与建筑. While aiming to transport her students back in time, she also considers how the art of the past is displayed in museums today.
“Cardinal Benedetto Pamphilj: Patron of the Villa del Gran Priorato, 罗马(1678 - 1730),《太阳城官网》和《太阳城官网》. Architettura e temi decorativi dalla Controriforma al Settecento, ed. F. Bulfone V. Burgassi D.K. Gullo和A. 斯皮拉,《太阳城网赌平台》特刊. Storia e architettura in Sicilia e nel Mediterraneo (in press).
“Innocent X Pamphilj’s Architectural Network in 罗马,与Paul Vierthaler合著, 文艺复兴季刊73.3 (2020): 897-952.
“The Arm Relic as Index of the Body: The Chapel of Francis Xavier, Il Gesù,” co-author with Alison C. 弗莱明, in Chapels in Roman Churches in the Cinquecento and Seicento: Form, 意义, 和功能, eds. 帕特里齐亚·托西尼,史蒂文·F. Ostrow, Chiara Franceschini. 米兰:Officina图书馆,2020,190-211.
“Palace Architecture and Decoration in 近代早期罗马,,摘自《太阳城官网》, 1492–1692, ed. 作者:西蒙·迪奇菲尔德,帕梅拉·M. 琼斯,我是芭芭拉·维什. 莱顿:Brill出版社,2019,342-366.
“A ‘Raphael’ in Nineteenth-Century Boston: The Biography of the 麦克马伦艺术博物馆’s Madonna and Child with John the Baptist,19世纪世界艺术, 17.2 (2018), http://www.19 thc-artworldwide.org
“Luca Berrettini (1609–1680): The Scalpellino-Merchant in Pietro da Cortona’s Architectural Production and Baroque 罗马,” Römisches Jahrbuch der Bibliotheca Hertziana 41 (2013/14) [2017]: 437–72.
“Luca Signorelli’s Veturia Persuading Coriolanus to Spare 罗马 and Viewers in the Palazzo Petrucci, 锡耶纳,,摘自《太阳城官网》, 欧洲艺术中的性别建构, 1300–1600, eds. 玛丽丝·罗斯和艾莉森·C. 坡. 中国生物医学工程学报,2015,31 (1):391 - 398.
"Prince Giovanni Battista Pamphilj (1648–1709) and the Display of Art in the Palazzo al Collegio Romano, 罗马,《罗马的美国学者回忆录, 58 (2013) 181-214.
Editor and contributor, The Pamphilj and the Arts: 赞助 and Consumption in Baroque 罗马. Chestnut Hill, MA: 麦克马伦艺术博物馆; Chicago: University of Chicago Press, 2011.
The Palazzo Pamphilj in Piazza Navona: Constructing Identity in 近代早期罗马. 伦敦:Harvey Miller-Brepols, 2008.
联合编辑和撰稿人, Walls and Memory: the Abbey of San Sebastiano at Alatri (Lazio), from Late Roman Monastery to Renaissance Villa and Beyond, eds. L. Fentress C. 古德森,M. 莱尔德和S.C. 里昂. 投票率:Brepols, 2005.
克雷斯数字人文学者, 塔蒂别墅, The Harvard University Center for Italian Renaissance Studies, 弗洛伦斯, 1月.2018年6月
太阳城网赌平台, 太阳城官网奖励补助金, 2014-15 Paul Mellon客座高级太阳城官网员, 视觉艺术高级太阳城官网中心, 美国国家美术馆, 华盛顿, DC, 11月.12月. 2014
Renaissance Society of America Grant, summer 2014
太阳城网赌平台, Institute for the Liberal Arts, 2010
国家艺术基金会, 2010–11, 潘菲利和艺术基金会, 麦克马伦艺术博物馆
Franklin Grant, American Philosophical Society, 2007
Scott Opler JSAH Fellowship, Society of Architectural Historians, 2005, publication subvention
太阳城网赌平台, Teaching, Advising and Mentoring Grant, 2005
太阳城官网生院 Fellowship他是罗格斯大学的教授, 2000–01
塞缪尔·H. 克雷斯的基础 Pre-doctoral Fellowship, 罗马 Prize, American Academy in 罗马, 1998–2000
旅游补助金. William Fulbright Foreign Scholarship Board, 罗马 Italy, 1998–99
Lemmermann Foundation Grant, 罗马, May–June 1998
Olga Berendsen Prize in Baroque Art他是罗格斯大学的教授, 1997
沃尔特·C. Russell Tuition Scholarship他是罗格斯大学的教授, 1995–96
佛罗伦斯太阳城官网员,雪城大学,1993年
Society of Fellows Council, American Academy in 罗马, Member, 2010–11, Vice President, 2012–16
Affiliate Representative of Society of Fellows to Renaissance Society of America, 2011–16
美术编辑, 宗教与艺术, 太阳城网赌平台,2009-2021